Here’s a project using scrap walnut tongue-and-groove boards I was given by friend, which I used to create a small tray to dry herbs — my wife does a lot with herbal tinctures and such and needed a rack to dry some of the plants and mushrooms she collects while foraging.

This is the final drying rack:

The biggest challenge in creating this was the small size. Here is the walnut board I started with:

I used a holding tool I previously made called a Raamtang to keep all the small bits held firmly while I worked on them. This small wooden vise has proven invaluable over the years and is worth the time and effort to build if you create a lot of smaller projects.

I decided to make this a simple mitered box, but will add splines for strength. I cut the angles free hand and then dialed them in with this 45 degree shooting board I made. The final pieces are shown here resting on top of the shooting board.

I added a fancy curve to the four edges of the tray. I drew the curve on paper then traced it onto the wood. I used a backsaw to cut the to lines of the curve.

Then used a coping saw to get near my lines.

Then cleaned it all up with files and a spokeshave.

Here are the final curved edges.

After glueing up the frame, I added the splines with a contrasting wood (scraps of oak). I cut out the corners, cut the splines, then planed them flush with a block plane.

Then the final step was adding the chicken wire, for which I used some mesh from a big box store. The wire mesh is attached to the underside of the frame with wood strips half-lapped, glued and strengthened with small screws. That’s it.

A short article in the September/October 2021 issue of Popular Woodworking called attention to retired pattern maker Bill Martley’s project to reproduce the bronze head of the classic Studley Mallet, named after Henry O. Studley (1838-1925) that many woodworkers know from his famous and mind-blowing tool chest.

A member of my woodworking group spotted this article and suggested we embark on a group build. The bronze casting for the mallet cost $69 with shipping included. What an amazing opportunity and bargain! I received my bronze mallet head in the mail a couple of weeks ago and here’s the mallet I made with it using bubinga, bocote wedges, and a handle with inset waxed cord. I just love how this came out and I’m so grateful that Martley made this possible.

Here’s the mallet I made with the casting:

And I’ll briefly document the steps I took to make it.

First off, here’s the bronze casting as it arrived in the mail, along with the wood I selected to make the infill and handle. I went with bubinga.

Here’s the infill block sized to fit through the hole in the bronze head.

Next I chop out the through-mortise to match up with the hole where the handle will fit.

Here’s a view of the wooden insert with the mortise completed, mostly to show what the top and bottom of the casting looked like before I polished it up.

Now I began to shape handle, drawing out what I wanted in pencil.

Here’s a view of the handle, where I’ve cut out the slot to fit into the bronze casting. I used my large tenon saw for this. I squared it all up with chisels.

Here it is all rough fit together. Looking like a mallet now.

Next, I shined it all up using a Dremel. Wow, what a difference. I left it rough, because I liked the look of it.

Now, onto the handle. I cut it out roughly with saw work, then filed down with my beloved Auriou rasps.

Here’s the handle, showing the cuts for the wedged tenons that’ll go in the top to splay the wood out and hold it firm. The infill wood has not yet been cut to length.

Next, I decided to go with a wax cord wrap for the handle. I wanted it to sit flush, so I chiseled out the beginning and the end so it slopes inward from each side, so when I wrap the cord it’ll gently slope upward. This will form a nice place to hold it.

This image shows the beginning of the cord wrap, using tape to hold the ends in place. I wrapped the cord so tight, my hands cramped up.

And here a few glamour shots of the completed mallet, which I finished with boiled linseed oil. Oh, and I forgot to mention, I’ve added the wedges here. The two top wedges are tiny slices of bocote, which I think contrasts nicely with the bubinga. It was a fun project, and now I have a small mallet with a lot of mass. It’ll be a useful shop tool that I hope will still be in use by someone long after I’m gone.

Beautiful brook trout caught (and then released) on #16 caddis fly at Savage River in Western Maryland. Such a lovely river for fly fishing / camping.

The small bench is complete. We’re going to use this for putting on / taking off shoes in the mudroom. It’s been an interesting hand tool project, and I’m happy with how it came out. The main issues I had with assembly were some small joinery gaps, but I fixed these with hide glue and matching sawdust, and those gaps are not noticeable in the end. I have to say I’m not crazy with the sapele choice for the aprons, in retrospect. In the right light, the sapele looks kind of orange, so I think that’s what is bugging me. But it will mellow with time and I think it will age nicely.

I’m really happy with how the grain shows in the walnut, and the top of the bench really in particular shows some interesting light/dark contrasts with strong gray streaks. I also added a slight bow to each long side of the bench top, which gives the top a gentle tapered (subtle) curve at each end. I finished it with Osmo Polyx-Oil.

Here are some final assembly shots:

Here’s a shot documenting the tenon cuts for the legs.

And the mortises for the bench top.

I tapered the legs on the inside to help give the bench a slimmer profile from the front.

I locked in the knots on the bench top with some 5-min epoxy and it worked well. Since I just needed a little bit, I used the epoxy that I use for fly tying. I did this so that the knots don’t crumble over time.

Here’s the dry fit of the frame.

And here’s some shots of the final bench after glue-up and finishing:

And here’s what I started with for reference: some old, incredbily warped slabs of walnut … and a new sapele board for the aprons. This transformation of chunks of wood to useable furniture is just magical to me. With some simple tool work and a plan, amorphous slabs can transform into something useful and beautiful.

Making progress on the walnut bench. I’ve cut most of the mortise and tenons to connect up the legs. I’m using sapele for the aprons. This is the rough cut of the aprons using my rip and crosscut handsaws.

This image shows all of the markup for the tenons. I mark the lines deeply with a wheel marking gauge and then trace the lines with a pencil so they are easy to see.

And here are the cut tenons … couple of hours later. I used a carcase saw to first cut the cheeks, then cut the tenons out. Afterwards, cleaned up with chisels to ensure the lines were straight.

Then I started on the mortises. I marked it up so that the aprons will be flush with the edge of the walnut legs. The hand drill is used to cut out most of the tenon waste, then chisels to clean them out and square the edges.

And … an hour or two later, all the mortises are cut in the legs.

Here’s the dry fit of the bench, but the top is just sitting on top. In other words, I haven’t yet cut the mortise/tenons to attach the top.

Next, I moved on to the front/back apron design. I decided to go for a big wide curve. To create that curve, I attached a string and pencil to my shop bents, then moved it to the right distance to get the desired arc. It took some trial and error (need to hold the pencil straight and taut) but it worked well. As you can see, I dressed up for the photo shoot to document the work.

Next, I decided to create a nice profile so it wasn’t just a plain curve. I marked out proportions that looked nice to me by marking up three 10mm sections with two 5mm steps, and then using the base of a marking gauge to draw some circles until I liked the look of it. While I typically use English units, I often switch to metric for mark up for things like this because for me it’s just easier.

I started out using my bow saw, but I soon decided to saw to the line in segments across the curve just to help get rid of waste as I cut with the bow saw; cutting out little sections makes it easier for me, at least psychologically.

Here’s what that looked like about halfway through:

After it was roughed out, I started getting closer to the line with a spokeshave. Once I was happy with that, I moved on the fancy profile.

There may be better ways to do this, but this works for me. I cut down to my lines with my carcase saw and then use my files to finish the job. Here’s the before:

And the after:

And the following is the front apron all finished up. Next, I need to do this for the back apron so it matches. I think I’ll just leave the short side sapele aprons as they are (squared off), but I want the front and back to match, even though the back of the bench will be against a wall (it’s going to be a bench for the mudroom to put on shoes). It may not always be used in this fashion, so it should look good from any angle. It’s getting close to completion!