I bought an Ergodox EZ Glow ergonomic mechanical keyboard in 2019 and I've grown to love it. It took me some time to adjust to a split keyboard, and even more time to nail down my personalized layout across three different programmed layers. The unmarked keys on the board did not take as much time to adjust to as I thought they would. I purchased the black model with Cherry MX Brown switches, and upgraded to Blue Zilent switches and gray/blue keycaps. Dreamy.

But after months of using this keyboard, there was one thing I could just not get used to: switching layers to get to the arrow keys. I never realized how often I use arrow keys until they weren't easily accessible. My solution was to get a tiny six key customizable keyboard from TechKeys. It fits perfectly in between the two keyboard halves. In addition to the arrow keys, I programmed the top left and right keys with an extra shift and space, because it's often quicker to tap the tiny board when arrowing around. I think it's an amazing set-up.

Now I just need to get some custom keycaps for the tiny board. I'm currently using leftover keys from my Vortex Race 3. Why two mechanical keyboards? I have a standing desk station and a sitting desk station. I use the Vortex while sitting, the Ergodox while standing. Excessive? Perhaps. But the Ergodox is not the easiest keyboard to move around, so this works for me. Plus ... I just love mechanical keyboards. It's a bit of an addiction.

Das Keyboard over at Ars Technica. It's a 2.6 pound monster with German-engineered mechanical gold-plated key switches. It's designed for performance, durability, and loudness. Yes, loudness. If you miss the audible feedback from keyboards of yore, this is for you. To give you a sense of how loud it is, the company also sells reusable earplugs. It's expensive (over $100), but if you like this sort of thing, you probably can't do better.

Me, I prefer silence while I type. But what appealed to me about Das Keyboard is that the company offers a model without any key markings. I'm a Dvorak typist, so I rarely look at the keyboard anyway. Some part of me thinks it would be great fun to have a keyboard with blank keys, mainly because it would satisfy my inner Secret Squirrel impulses.

Reading about Das Keyboard reminded me of a post I wrote in 2008 about the Optimus Maximus, an industrial art creation from the studios of Art. Lebedev. At the time this fancy keyboard was still in development, but it's now available for purchase. Cost-wise, it makes Das Keyboard look like a great bargain. It costs $2,400. No, that is not a typo.

Why so expensive? First, it's not a mass market product. It's produced by an impressive design studio with a guiding business principle of 'no bullshit.' Hard not to like that. If you buy one, you can say you own a 'work of Art.' Second, it's a fantastic-looking keyboard and, as far as I know, the only one of its kind. Each key is an independent stand-alone OLED display. That means that each key can transform into whatever you need it to be. While this is great for Dvorak typists, imagine the possibilities for people who want to change key functions for different languages, for games, or for application-specific functions. Check out the demo.

Back in 2008, rumors were circulating about the possibility of an Apple keyboard that also used OLED keys. I'm still waiting for it. I would bet that it already exists, hidden away in a secret lab, just waiting for mass technology to catch up so it can be released at a relatively affordable price. I still think, as I did in 2008, that this the future of keyboards. The question, of course, is if there is a future for keyboards. Will we still use these devices in 2020?

I've had an iPad 2 for four days and a Smart Cover for a day and a half. I'm not going to post a detailed review. There have been enough of those.  I will, though, share a few initial impressions as a first-time iPad owner.

First, the Smart Cover. It's remarkable. As remarkable as the iPad. That's no small achievement, and it deserves to win design awards. In case you missed the iFixit breakdown of this cover, it's worth your time to check out the magnetic gadgetry that makes this device work. It's easy to use. More, it's a pleasure to use. I love how the iPad instantly turns on when I open the cover. I love the ease with which I can stand my iPad up in two positions.

It doesn't really clean the glass surface, though. Apple claims that it 'brightens up your iPad.' That's true to an extent. But they also say it 'gently buffs off any smudges or fingerprints as you move, [so your] iPad always looks good on arrival.' That's not quite true. Certainly, the surface looks better than it would without the cover. But the gentle buffing is no substitute for wiping the glass screen with a microfiber cloth.  What I've found is that the cover—as I move it to and fro—gently removes oily smudges from the surfaces from the areas where the microfiber makes contact. But the microfiber only hits the glass in the ribs of the cover. Between the ribs, in the creases of the cover that allow it to be easily folded up, there is no contact. The oily residue remains in those spaces, appearing as Zebra strips of smudge over the glass surface. It's not a big deal, but it's worth noting that I still need to manually clean the surface.

Another minor annoyance I have with the cover is that it doesn't magnetically seal when flipped to the back of the device (when I'm using the iPad). It flops around a bit. I imagine that design constraints limit where magnets can be placed within the iPad, and these constraints account for the lack of a magnetic hold when the cover is flipped around to the back of the device. Still, it's not a big deal. It's easy to rip the cover off and toss it aside.

My final concern regarding the Smart Cover is that it doesn't protect the back of the device. I'm worried about scratching the aluminum. I'm not too worried, though. I trust that third-party vendors will soon offer stick-on protective coatings to address this issue. I'd rather go that route than plunge the iPad in a thick protective case. I don't want the device to be any thicker than it is. I want to hold the thin aluminum back in my hand when I use it. It's an important part of the tactile experience.

The last thing I have to say about the cover concerns material. I expected that the appearance of the leather model would shame that of the cheaper Polyurethane skin, but found that both models look very nice. In 5by5's 'The Talk Show' podcast, Dan Benjamin described the surface of the cheaper model akin to the 'Trapper Keeper' plastic those of us of a certain age will surely recall from childhood. It's kind of like that, but it's really much nicer to behold. It's nice enough that I went with a neutral grey polyurethane model and saved some money. I think it looks great.

As for the iPad 2 itself, I should note that I spent 10 minutes trying out a Motorola Xoom at my local Costco a week ago. This device is, as far as I know, the current 'best of breed' alternative. I thought the Xoom was competent, but it felt choppy and clumsy to the touch. A bit half baked. Now that I have spent considerable time on an iPad 2, I can you assure you that there is no comparison. It's a device that's living up to my childhood expectations of what 21st century tech might be. 

Is the iPad 2 perfect? No. There's plenty of room to improve. Is it the best mobile device I've ever used? Yes. Interestingly, a minor change made it more so. Based on a tip I read on TUAW, I upgraded to XCode 4, which allowed me to enable some new multi-gesture devices for the device. These gestures enable rotation through open apps with a gesture, a swipe to see all background apps, and a swipe to get back to the Home screen.

These seem like minor improvements, but they are not. They make a huge difference in ease of use, akin to how the Smart Cover makes a huge difference by waking up the device when you flip it open. That tiny convenience of auto-waking the device with the Cover vice having to press the 'Home' button makes the iPad that much easier to use. Likewise, these few extra gestures make navigating scores of apps that much more seamless and enjoyable.  I hope to see these additional gestures in the next iOS release. As for the fears that these features hint that the Home button is destined for the trash bin, who can say? I don't really care. I prefer to avoid using the Home button if possible.

My final note concerns the lack of software keyboard support for Dvorak. The lack of the Dvorak layout on my iPhone is no big deal. The screen is too small to accommodate full-handed typing. Not so on the iPad. I suspect I speak for Dvorak-typing Apple enthusiasts everywhere when I say that a software layout option is very important. Without it, we're reduced to hunt-and-peck typing on the iPad screen using an unfamiliar keyboard layout, or we're forced to buy an external keyboard to use iOS hardware Dvorak support. Attention Apple: this is a very simple fix.

A few notes of interest.

1. MacUpdate Spring Bundle: Yet another bundle for $49. Standout included applications are TechTool Pro, Parallels, Circus Ponies Notebook, and NetBarrier.

2. Google Wave: What would E-mail look like if it were invented today? Check out this video preview from the Google I/O developer conference. Pretty interesting and ambitious (and it’s open source).

3. Adobe CS4: Dvorak and WebKit. I recently learned two interesting bits about Adobe CS4. First, CS4 drops Opera as a built-in rendering engine and replaces it with WebKit (the open-source browser engine used by Safari and Chrome, among others). That will fix the problem I encountered with Opera. And for Dvorak users out there, I received word from a reader that Adobe CS4 now correctly handles Dvorak and Dvorak-Qwerty. Finally.

4. QIDO: A company called KeyGhost in New Zealand is now offering a hardware device that plugs into a USB keyboard and allows one to convert from Qwerty to Dvorak instantly without relying on spotty operating system support (especially from Windows) and even spottier application support. They’re sending me one to test out and review. More to come.

5. History of the Earth in 60 seconds. I came across this several months ago. Watch 4.6 billion years of history compressed into one minute. Cool.

6. MIT Media Lab Center for Future Story Telling. I also came across this many months ago and have been meaning to post it. Here’s an excerpt:

Research will range from on-set motion capture to accurately and unobtrusively merge human performers and digital character models; to next-generation synthetic performer technologies, such as richly interactive, highly expressive robotic or animated characters; to cameras that will spawn entirely new visual art forms; to morphable movie studios, where one studio can be turned into many through advanced visual imaging techniques; to holographic TV. It will draw on technologies pioneered at the Media Lab, such as digital systems that understand people at an emotional level, or cameras capable of capturing the intent of the storyteller.

The MIT Media Lab does some very interesting work. The new Center is slated to open in 2010, but research is already underway. Sounds intriguing. Can I work there?

1. Dvorak-Qwerty redux

I decided to test out Tweetdeck, a new Twitter application in Beta developed on the Adobe Air platform. I like it. But when I attempted to hide the app with the shortcut ?-H ... it didn't work. Then it hit me. It's an Adobe app. Of course it doesn't work. That's because I type using a keyboard layout called Dvorak.

It's a common enough layout that it's included as an international keyboard option for both the Mac and PC. The Mac also has a unique keyboard layout called 'Dvorak-Qwerty,' which I use. This allows one to type using the Dvorak layout, but use Qwerty key combos. It's a thoughtful tip of the hat to Dvorak users who know and rely on standard Qwerty keyboard shortcuts.

Most of the applications on my Mac respect this convention and work very well with the D-Q layout. The glaring exceptions are Microsoft Office and Adobe products. I've given up on Microsoft ever fixing this problem, seeing as the OS still doesn't include a D-Q option (and likely never will). But Adobe? Come on. I can't imagine that fixing this little glitch would take much time. Correct me if I'm wrong, Adobe.

I've written about this on Adobe forums, I've sent in suggestions, I've posted on this topic here and on other blogs. Nothing has changed. While I'm sure that there are not many Dvorak typists using Adobe creative suites who rely on Qwerty key combos, I'm surely not the only one! And, hey, we're paying customers. And those suites are expensive.

Someday, I hope that Adobe will fix this relatively simple thing. Adobe: take heed that Smile on my Mac fixed this same problem with TextExpander with one simple update. I wrote to them about the problem. And it was fixed with their next update a few weeks later. Now that's service.

2. This Dvorak post rocks

So, I got an email a while back from Francis Siefken from the Netherlands, a fellow Dvorak user. He put forward a convincing case that switching the U and the I on the Dvorak keyboard would lead to even greater efficiencies. I love this kind of analysis.

Check out his post even if you don't use Dvorak, if only to appreciate the time and thought he clearly put into this. It seems that his blog may have went into hiatus after this one post (something that I can certainly appreciate!), but it's worth the read nonetheless. As is how he named his son, which also appears on this page. I hope we'll see more posts on his blog someday soon.

My view: why not switch the U and I keys? The point is that the keyboard—our primary interface to the digital realm—must continue to evolve. Dvorak, while imperfect, is arguably an evolutionary leap forward from Qwerty. But why stop there? I say let's continue to perfect the layout of keys to meet our needs.

Note that Siefken emphasizes that the primary benefit of Dvorak isn't necessarily speed. It's comfort. If you're someone who types a lot (as in all day, every day) it may be worth your time to learn Dvorak if you're not already heavily invested in Qwerty. Let the keyboard evolve, and let repetitive stress be damned!

The careful reader might now ask why I don't use Dvorak keyboard shortcuts, preferring instead to keep using Qwerty shortcuts. The answer? The most-used shortcut keys are largely grouped down by the ? key, so it's easier and faster. D-Q is a great combo.

3. On the evolution of the keyboard

And speaking of the evolution of keyboards, check out the Optimus Maximus. It's expensive as hell, but wow. It's the future of keyboards.

And what's Apple doing on this front? Perhaps making an Organic Light Emitting Diode (OLED) keyboard of their own. Will it be cheaper than the Optimus Maximus? Probably. Will Art.Lebedev Studios, creator of the Optimus and other wonderful and expensive design goodies, sue Apple? This might be a story we hear more about next year.